A flashback of 60s funk and altnernative rock, The Dirtbombs flourish on their newest outing of 10 tracks with the funny titled Ooey Gooey Chewie Kablooey. An experimentation in multiple sounds, The Dirtbombs is a band that is willing to explore new territory and push the envelopes and mesh…
"The best garage band in America since the ’60s. Very primitive…they made people with Les Pauls and Marshall amps look like idiots." - Jack White
The Gories began in the cultural vacuum of Detroit in 1986. With humble beginnings at a community concert series through a tumultuous end on their 1992 European tour, this is a band whose influence has far outstretched the ground they covered. Rooted in the primal, primitive underpinnings of 50’s rhythm and blues and unhinged 60s garage punk, the sound they came to was wholly their own. Over two years in the making, Third Man collectively feels like a bunch of teenage fanboys with the release of The Shaw Tapes: Live in Detroit 5/27/88. Recorded at a house party in a converted store front, the band captured here is at the height of its powers. Featuring covers of classics by the likes of John Lee Hooker, the Stooges and Willie Dixon, as well as a bevy of their oft-imitated originals, Live in Detroit 5/27/88 is the Gories’ first live album, their fourth full-length and their first widespread release since 1992. While band members Mick Collins and Dan Kroha would go on to wider recognition in the Dirtbombs and Demolition Dolls Rods respectively, the Gories should be viewed in the same influential context as the Velvet Underground and the Cramps. While they may have barely sold any records, the folks that saw and heard these bands were inspired to create. It’s high time the Gories get their due and there’s no better evidence than this explosive live recording from 25 years ago.
The Shaw Tapes: Live in Detroit 5/27/88
release date 11/26/13
1. Nautiloid Reef (the Nautiloids) / 2. Leavin’ Here (Eddie Holland) / 3. I Think I’ve Had It / 4. To Find Out (The Keggs) / 5. Boogie Chillen (John Lee Hooker) / 6. Real Cool Time (The Stooges) / 7. Charm Bag / 8. Sovereignty Flight / 9. Again & Again (The Iguanas) / 10. Thunderbird ESQ / 11. Hate (The Stoics) / 12. Train Kept a Rollin’ (Tiny Bradshaw) / 13. I Just Wanna Make Love to You (Willie Dixon) / Give Me Love
A note about the title:
The prefix of the Gories album (“The Shaw Tapes”) is both a nod to the Velvet Underground’s “Quine Tapes” and gives credit to the larger-than-life man behind the recording of the show, Jim Shaw. A long time supporter of underground art and music in Detroit, his influence, guidance and style were pivotal to over thirty years of creatives in metro Detroit. He was one of a handful of folks who immediately “got” what the Gories were doing and was among the dozen folks who’d attend their shows religiously. Additionally, it was his foresight to record this show (as well as countless others) that’s the inspiration for what we at Third Man hope to be an ongoing series. Jim Shaw sadly passed away on December 5, 2010 at the age of 54.
“I’m not a musicologist, I’m just a guy who likes to make records. So I’m no authority on bubblegum or any other kind of music. But I know what I like, and since I’ve been asked to make a list of top bubblegum songs, you have to understand the subjectivity of the thing. Here, then, in no order, are what I think are the 10 best classic bubblegum recordings…”
Some pics from Dirtbombs gig for the Shinola block party NYC
…at 5 with the new Dirtbombs and Elvis Costello & the Roots in hand. SUCH A GOOD DAY FOR MUSIC AHHH
"I may be crazy but it’s only cuz I’m crazy for you"
A catchy little ditty.
MC5 to Marvin Gaye to Carl Craig to The Archies is not necessarily a natural musical progression, but the Dirtbombs understand that consistency is the hobgoblin of small bands.